iZ Technology Corporation

(Distributed by Otari Corporation 1994-1997)

• 16 bit
• 8 tracks standard - expandable to 24
• 32 - 48 kHz sample rate
• 24 min. of recording time per 8 tracks at 44.1 kHz
• 1 GB internal hard drive per 8 tracks
• RE-8 Session Controller (optional)

The Power of Random Access
Imagine being able to slide any track, or a group of tracks, in time against other tracks on your “tape”. Or moving small sections or any number of tracks easily and quickly to any desired location. Or looping any selected material. RADAR lets you do all this and more – in seconds! Many users have told us that RADAR has literally revolutionized the way they work, drastically reducing the time it takes to complete a project and saving serious dollars in productions costs.

The Story Behind the Otari RADAR
This was the first RADAR machine designed and manufactured by Barry Henderson and the audio technology crew at Creation Technologies. They secured a distribution agreement with Otari Corporation, meaning that Otari would market and sell RADAR with the Creation team doing the manufacturing.

These units have the Classic RADAR sound, but are limited by the small-capacity fixed storage drive. Even though these units haven’t been manufactured in over 10 years, iZ still supports them. close

(Distributed by Otari Corporation 1997-2000)

• 24 bit
• 24 tracks
• 32 - 48 kHz sample rate
• 40 min. 24 bit/24 track recording time at 44.1 kHz
• 9 Gig removable hard drive
• RE-8 II Session Controller and Meterbridge 24 (standard)

The Industry Standard: Sonic Excellence
RADAR Series multitrack recorders have become the benchmark for sonic excellence in hard-disk recording. Through advancements in converter technologies, RADAR’s sonic integrity has now been elevated to a new standard. We now offer full implementation of 24-bit, 128-time over-sampling AD/DA converters with linear phase response.

RADAR Series digital multitracks have been used to record many hit records and soundtracks. The most often heard user comment is that RADAR sounds “fat, warm, and very analog.”

The Story Behind RADAR II
The RADAR II system refines the original RADAR, increasing the standard track count to 24 as well as improving the bit rate to 24 bits. Other notable improvements are the larger capacity removable hard drive, and the standard RE-8 II Session Controller and Meterbridge 24.

In April, 2000, iZ repatriated the RADAR name from Otari and began selling RADAR II systems as the iZ RADAR II. close

• 16 Track MIDI Sequencer
• 258k memory card included
• Variable, quantize rates
• Automatic punch-in
• Syncs to MIDI Clock
• Tape recorder-style control
• Records System Exclusive

1994 List Price $59.00

Pocket Sequencer is the answer for musicians wishing to create music when the mood strikes. Edit functions such as auto punch-in and overdub ensure professional results while a capacity of almost 6000 notes allows room for experimentation. Quantization to 1/4, 1/8th, 1/8th note triplet and 1/16th note tighten up· your tracks. A resolution of 96 parts per quarter note preserves feel and a non-destructive 'Accept Buffer' allows many takes before permanently overwriting previous tracks. As well, a footswitch can control start/stop parameters and tempo. Pocket Sequencer is also compatible with Pocket Sync for sync-to-tape capability. close

• No external power supply
• 1 MIDI IN and 2 MIDI OUT
• Uses serial or modem port
• High speed CMOS design
• Improves signal to minimize data errors

1994 List Price $59.00

Pocket Mac opens up a whole new world of MIDI programs for the Macintosh computer user. MIDI devices can be connected to the serial or modem port on the Mac. The LED displays indicate MIDI data in and MIDI data out giving a clear indication of MIDI activity. With many Macintosh programs simultaneously supporting both the serial port and the modem port, one Pocket Mac could be connected to each allowing access to twice as many MIDI devices. As well, the compact Pocket Product design cuts down on computer area clutter. close

• Merger 2 MIDI signals into 1
• Merger on all 16 MIDI Channels
• Merger Clock and MIDI Time Code
• Merger all controllers
• Stackable for 3 or more inputs

1994 List Price $89.00

Pocket Merge is an essential tool for sequencing or live use. Operating as a 2-lN / 1-0UT MIDI Merger, several Pocket Merges can be stacked to merge more than 2 inputs. Now any controller can be a "master". In live set-ups, Pocket Merge allows any two controllers (keyboard, drum pads. guitar synth, etc.) to share a sampler or sound module. Use one keyboard as a master, while using a favourite pitch bender from another, or combine two keyboards for a multi-tiered organ- style controller. In the studio, Pocket Merge is a must for sample-dump editors - allowing a keyboard and a computer to be connected to the sampler at the same time. Anatek's Pocket Merge handles data very quickly, so buffer overflows are a thing of the past. close

• 1-lN / 3-0UT MIDI THRU box
• High-speed CMOS design
• Buffered outputs clean-up data
• Handles all MIDI data
• Stackable for more outputs

1994 List Price $49.00

Pocket THRU' is an essential building block for any MIDI set-up and an excellent companion product for all Pocket Products. Pocket THRU provides 3 buffered outputs from a single MIDI input. Use Pocket THRU to minimize MIDI delays, or expand the outputs of Pocket Merger Pocket THRU also allows Pocket Filter to be placed anywhere in the MIDI chain when using it to channelize older synths. Up to 4 Pocket THRUs can be combined to provide a total of 9 outputs. close

• Sends ALL NOTES OFF
• Sends on all channels
• Resets pitch-bender
• Compatible with older synths
• Sends OMNI OFF Command
• Footswitch controllable
• Resets controllers

1994 List Price $49.00

Pocket Panic is a must for the MIDI performer. Pocket Panic prevents the embarrassing problem of "stuck" notes during live performances. Pocket Panic" sends an ALL NOTES OFF command on all 16 MIDI channels and is compatible with older MIDI synths. In addition, Pocket Panic can be used to filter the ALL NOTES OFF command in instances where it is sent too often (as with some keyboard controllers). Pocket Panic' has two additional features: it can send an OMNI OFF command and can reset controllers to their default values (i.e. pitch- bend, modulation, MIDI Volume, pan, etc.) close

• Remaps receive channel
• Remaps transmit channel
• Sends multiple MIDI channels
• Velocity switch mode
• Footswitch controllable

1994 List Price $99.00

Pocket Channel takes data from any MIDI channel and remaps it on to one, several, or all 16 MIDI channels. Up to 16 different channel assignments are possible. A unique velocity-switch feature allows automatic switching between two different sound modules depending on the key velocity. Use Pocket Channel to organize channel assignments for a multi-timbral sound module, or send a controller's output to 2 or more MIDI channels. With Pocket Channel, 2 drum- machines or samplers can share the same note assignments and be sent to two separate MIDI channels. close

• "Smart" Tape to MIDI synchronizer
• Starts anywhere In song
• MIDI IN to OUT merging
• Automatic read/write switching
• "Jam Sync" protects against tape dropouts
• Records tempo changes
• MIDI and FSK status LEDs

1994 List Price $99.00

Pocket Sync' is the key to expanding the capabilities of any multitrack studio. No longer is it necessary to allocate more than one tape track for sequenced parts. Now, shuttling to different points in the song is quick and effortless. Pocket Sync: writes a special FSK sync tone on one track of tape that is converted to MIDI Clock and Song Position Pointer on playback. Merging of data from the MIDI input to the output allows new sequencer tracks to be added while remaining synced to tape. Automatic switching between write (recording FSK) and read (playback FSK) cuts down on confusing switches and buttons. Tape oxide dropouts are no longer a problem with Pocket Sync's variable dropout protection. The sequencer can continue playing over a dropout for a short time even if FSK is completely lost! close

• Remaps MIDI controllers
• Maps Pitch Bend to Aftertouch
• ‘set and forget’ programming
• Supports 15 controllers
• Allows unconventional routings
• Updates older keyboards

1994 List Price $99.00

Pocket Mapper allows modulation routings to be customized to suit a particular need. Controller data such as Pitch Bend, Aftertouch, Breath Control and others is received and can then be retransmitted as a different controller. DX-7' Breath Control modulation can be rerouted to MIDI Volume or another controller to modulate synths that do not accept Breath Control. Pocket Mapper is the most convenient and cost effective way of rerouting MIDI modulation. Now, MIDI wind instruments can remap mouthpiece Breath Control to Aftertouch quickly and easily. Unconventional routings such as Sustain to Pitch Bend or Aftertouch to Data Entry could also yield interesting results. Pocket Mapper's operation details are conveniently printed on the side of the unit to serve as a quick reference to the controllers available for your custom setup. close

• Filter on all MIDI channels
• Filter controllers, System Exclusive and Real-time data
• Combine data types/channels
• DIP switch to select filtering by channel
• Select channel # from any keyboard

1994 List Price $99.00

Pocket Filter is vital tool for problematic set-ups. With M IDI data becoming increasingly complex, Pocket Filter can unclog the MIDI data stream, sending only the most useful information. Use Pocket Filter to remove unwanted clock messages or System Exclusive data. When sequencer space is at a premium, use Pocket Filter to remove memory-intensive aftertouch and controller information. Pocket Filter frees-up unused MIDI Channels from multi-timbral synths, making them available for other modules. In addition, Pocket Filter can be used to channelize older synths that only receive in OMNI mode. Use Pocket Filter as a diagnostic tool to test or develop your own MIDI devices. close

• Records 15,000 events
• Single-track, 16 MIDI Channels
• Records System Exclusive
• Variable time-signature
• Fast-forward
• Soft THRU and External SYNC
• Loop mode
• Optional battery backup

1994 List Price $149 USD

Pocket Record is a very compact single-track MIDI recorder. It records 15,000 events on all 16 MIDI Channels including System Exclusive data. Pocket Record can be used as a single-track MIDI notepad, or slaved from a master sequencer. Take Pocket Record on the road and leave your computer system at home! Pocket Record is an excellent accompaniment tool - piano students can even use it to record "MIDI Homework”. Pocket Record handles up to 30k bytes of System Exclusive data which eliminates the need for expensive memory cards for patch data from synthesizers and multi-effects processors. Pocket Record retains its memory for 4 hours without power or batteries and an optional battery plug retains the data indefinitely for the life of the battery. close

• "Phantom" power all Pocket Products
• Functions Inline with MIDI signal
• Powered by most AC adaptors
• Automatic polarity switching
• Fully-regulated supply
• Passes all MIDI data
• Alleviates hook-up problems
• Boosts MIDI signal

1994 List Price $39.00

Power Pack provides power to Pocket Products in instances where other manufacturers have neglected to meet MIDI specifications or in any instance where power is unavailable. Power Pack alleviates these problems without costly modifications to other manufacturer's equipment. Power Pack can be placed anywhere in the MIDI chain and accepts power from a standard AC adapter (user supplied). It provides additional power when more than 4 Pocket Products are used in a row or allows Pocket Pedal and Pocket Filter to retain their channel settings when the master device is turned off. What's more, Power Pack can be used to boost the MIDI signal and extend the maximum distance between two devices. close

• Compatible with all MIDI synths
• Flexible input/output configuration
• Custom fade in and out

1994 List Price $119.00

Wind Machine and your BC1 or BC2 Breath Controller (not provided) add expressive power to your keyboard performance. Brass patches can punctuate or pad according to your whim, not to some pre-programmed attack setting. Your sax solos will turn heads with their authenticity. And layered string sounds can fade in precisely where they're needed while your hands and feet are free to control wheels and pedals.

Compatible with everything. Wind Machine interfaces to Korg, Roland, Yamaha, Ensoniq and the rest! No longer are you forced to use your breath controller with only one brand of MIDI synth. Any MIDI keyboard that will respond to MIDI Volume, Aftertouch,W Modulation, Breath Control, Pitch Bend, Expression, Foot Controller, or Pan can be controlled by Wind Machine. It's a natural. Blowing into a mouthpiece is the most natural way to enhance keyboard performance. Wind instruments have been designed around this principle for centuries.

Alone, keyboard Aftertouch isn't as effective because when you release the keys, the effect goes away. Modulation and Pitch wheels alone aren't as effective because they don't allow you to play chords. But when combined with Wind Machine, all of these can be used to create vastly improved expression capability.

Easy Hookup
A flexible input/output configuration means Wind Machine can fit seamlessly into any setup. The simpllest way is to use it to send control signals to the MIDI input jack of a keyboard synthesizer. If the Menu setup involves a master keyboard and external modules, Wind Machine can combine incoming signals from the master controller signals and then pass them on to a sequencer or sound modules.

Wind Machine can transmit the most popular control parameters to keep it simple. Most MIDI keyboards respond to Modulation, Aftertouch or Volume so you won't have any problem finding one compatible with your synth. Any one of the 16 MIDI channels can be selected as well. All control parameters are set by switches on the lid that retain settings even when power is disconnected. AC adaptor supplied. close

• Modifies MIDI velocity response
• Controls keyboard sensitivity
• 6 tapered curves
• 6 velocity increase curves
• 6 velocity decrease curves
• 6 constant levels
• Special DX-7 velocity curve

1994 List Price $99.00

Pocket Curve is a necessity for master keyboards that require velocity scaling control. With it, a keyboard's response to harder or softer playing styles can be modified to suit the player and their MIDI setup. DX-7 owners can also benefit from Pocket Curve! A special curve is available to boost the DX's low velocity output so that missing dynamic potential can be recovered. Use Pocket Curve to allow a lighter touch during performance on a heavily weighted keyboard controller. For ease of programming, a quick reference to the many curve possibilities is permanently printed on the sides of the unit. close

• Versatile Macintosh MIDI interface
• Built-in circuitry
• Provides power to Pocket Products
• High speed CMOS design
• 2 merged MIDI IN, 1 MIDI OUT
• No external power supply

1994 List Price $99 USD

Pocket Plus' is a MIDI interface for the advanced Mac computer user who requires more than one MIDI input. It is a necessity when adding new sequenced tracks to a Mac sequence program that is synced to tape. The built-in proprietary Pocket Merge circuitry ensures that there is no clogging of input data. Combine two Pocket Plus for a total of 4 MIDI inputs on line simultaneously! As with all Pocket Products, Pocket Plus requires no batteries or external power supply and its compact, sturdy design ensures years of productive use. close

• Sends on multiple MIDI channels
• Sends pitch-bend, modulation, portamento time, and MIDI Volume
• Supports 1 continuous controller
• Supports 1 momentary footswitch
• Sends sustain, portamento on/on, sostenuto, and start/stop
• Auto pedal/footswitch calibration
• Forward/Reverse pedal operation
• 3 mode pitch-bend operation

1994 List Price $99.00

Pocket Pedal is an indispensable controller for the performing musician. With the addition of any volume pedal and footswitch, keyboard 8 guitar-synth players can send MIDI volume, modulation, and sustain controls on all 16 MIDI channels at the same time. For owners of muiti-effects processors, Pocket Pedal" provides a convenient and cost effective way of providing dynamic control over effects parameters. Pocket Pedal" is a handy controller for automated mixdowns - converting any resistive input into MIDI Controller messages for VCAs. Connect a photocell to Pocket Pedal" and control MIDI parameters with a light source. What's more, MIDI retro-fitters can install Pocket Pedal into a guitar, home piano or organ to send pitch-bend modulation or MIDI Volume messages. close

• Inline 16 Channel transposer
• +- 5 Octave transpose range
• Switch between normal and transposed modes
• Separate intervals for each channel
• Transpose key signature and octave simultaneously
• All non-transposed data is passed
• Harmonization mode
• Footswitch controllable

1994 List Price $99.00

Pocket Transpose is a performance-oriented transposer that supports separate transpose intervals for each MIDI channel. Although many keyboards have a transpose function, it's usually too cumbersome for live use. Pocket Transpose makes transposing easy. Intervals can be set while playing, and the user can select the normal or the transposed setting from a footswitch. Guitar synth players can use the Pocket Transpose to set intervals on 6 separate channels, or use it to transpose all strings by a certain amount. Pocket Transpose provides en easy way to try different arrangements without altering sequencer data. The user can even set Pocket Transpose so that the drum machine channel remains intact. close

• 8-Zone Keyboard Splitter
• Range from 1 to 127 notes
• Fixed boundaries
• Overlapping boundaries
• MIDI Channel/Zone assignment
• Footswitch controllable
• Floating split point

1994 List Price $99.00

Pocket Split is an 8-zone keyboard splitter. Each zone has its own MIDI Channel, and has a range of 1 to 127 keys wide. Zone boundaries can be set for hard or soft (overlapping) splits. Use Pocket Split to maximize the performance of your master keyboard, or create interesting performance possibilities with your guitar controller. An added feature of Pocket Split is an "intelligent" 2-way floating split that automatically tracks the keyboard player's left and right hands. Now any MIDI device can have the features of a sophisticated MIDI controller at a fraction of the cost! close

• Enables two-way MIDI communication up to 4000 feet.
• Transmitter, Receiver and AC adapters
• LEDs show activity

The next-generation iZ website was styled after more subtle influences. Did you know the five square links at the bottom of the page were meant to depict the Session Controller’s transport keys?

Don’t miss this Flash intro to the original iZ website – very RADAR-meets-Matrix.